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cannot exist without competition. Therefore, men must be forced to compete. Therefore, we must control men in order to force them to be free."
"But, look . . . isn't that sort of a contradiction?"
"Not in the higher philosophical sense. You must learn to see beyond the static definitions of old-fashioned thinking. Nothing is static in the universe. Everything is fluid."
"But it stands to reason that if - "
"Reason, my dear fellow, is the most naive of all superstitions. That, at least, has been generally conceded in our age,"
"But I don't quite understand how we can - "
"You suffer from the popular delusion of believing that things can be understood. You do not grasp the fact that the universe is a solid contradiction."
"A contradiction of what?" asked the matron.
"Of itself."
"How . . . how's that?"
"My dear madam, the duty of thinkers is not to explain, but to demonstrate that nothing can be explained."
"Yes, of course . . . only . , ,"
"The purpose of philosophy is not to seek knowledge, but to prove that knowledge is impossible to man."
"But when we prove it," asked the young woman, "what's going to be left?"
"Instinct," said Dr. Pritchett reverently.
At the other end of the room, a group was listening to Balph Eubank. He sat upright on the edge of an armchair, in order to counteract the appearance of his face and figure, which had a tendency to spread if relaxed.
"The literature of the past," said Balph Eubank, "was a shallow fraud. It whitewashed life in order to please the money tycoons whom it served. Morality, free will, achievement, happy endings, and man as some sort of heroic being - all that stuff is laughable to us. Our age has given depth to literature for the first time, by exposing the real essence of life,"
A very young girl in a white evening gown asked timidly, "What is the real essence of life, Mr. Eubank?"
"Suffering," said Balph Eubank. "Defeat and suffering."
"But . . . but why? People are happy . . . sometimes . . . aren't they?"
"That is a delusion of those whose emotions are superficial."
The girl blushed. A wealthy woman who had inherited an oil refinery, asked guiltily, "What should we do to raise the people's literary taste, Mr. Eubank?"
"That is a great social problem," said Balph Eubank. He was described as the literary leader of the age, but had never written a book that sold more than three thousand copies. "Personally, I believe that an Equalization of Opportunity Bill applying to literature would be the solution."
"Oh, do you approve of that Bill for industry? I'm not sure I know what to think of it."
"Certainly, I approve of it. Our culture has sunk into a bog of materialism. Men have lost all spiritual values in their pursuit of material production and technological trickery. They're too comfortable. They will return to a nobler life if we teach them to bear privations. So we ought to place a limit upon their material greed."
"I hadn't thought of it that way," said the woman apologetically.
"But how are you going to work an Equalization of Opportunity Bill for literature, Ralph?" asked Mort Liddy. "That's a new one on me."
"My name is Balph," said Eubank angrily. "And it's a new one on you because it's my own idea."
"Okay, okay, I'm not quarreling, am I? I'm just asking." Mort Liddy smiled. He spent most of his time smiling nervously. He was a composer who wrote old-fashioned scores for motion pictures, and modern symphonies for sparse audiences.
"It would work very simply," said Balph Eubank. "There should be a law limiting the sale of any book to ten thousand copies. This would throw the literary market open to new talent, fresh ideas and non-commercial writing. If people were forbidden to buy a million copies of the same piece of trash, they would be forced to buy better books."
"You've got something there," said Mort Liddy. "But wouldn't it be kinda tough on the writers' bank accounts?"
"So much the better. Only those whose motive is not money-making should be allowed to write."
"But, Mr. Eubank," asked the young girl in the white dress, "what if more than ten thousand people want to buy a certain book?"
"Ten thousand readers is enough for any book."
"That's not what I mean. I mean, what if they want it?"
"That is irrelevant."
"But if a book has a good story which - "
"Plot is a primitive vulgarity in literature," said Balph Eubank contemptuously.
Dr. Pritchett, on his way across the room to the bar, stopped to say, "Quite so. Just as logic is a primitive vulgarity in philosophy."
"Just as melody is a primitive vulgarity in music," said Mort Liddy.
"What's all this noise?" asked Lillian Rearden, glittering to a stop beside them.
"Lillian, my angel," Balph Eubank drawled, "did I tell you that I'm dedicating my new novel to you?"
"Why. thank you, darling."
"What is the name of your new novel?" asked the wealthy woman.
"The Heart Is a Milkman."
"What is it about?"
"Frustration."
"But, Mr. Eubank," asked the young girl in the white dress, blushing desperately, "if everything is frustration, what is there to live for?"
"Brother-love," said Balph Eubank grimly.
Bertram Scudder stood slouched against the bar. His long, thin face looked as if it had shrunk inward, with the exception of his mouth and eyeballs, which were left to protrude as three soft globes. He was the editor of a magazine called The Future and he had written an article on Hank Rearden, entitled "The Octopus."
Bertram Scudder picked up his empty glass and shoved it silently toward the bartender, to be refilled. He took a gulp from his fresh drink, noticed the empty glass in front of Philip Rearden, who stood beside him, and jerked his thumb in a silent command to the bartender. He ignored the empty glass in front of Betty Pope, who stood at Philip's other side.
"Look, bud," said Bertram Scudder, his eyeballs focused approximately in the direction of Philip, "whether you like it or not, the Equalization of Opportunity Bill represents a great step forward."
"What made you think that I did not like it, Mr. Scudder?" Philip asked humbly.
"Well, it's going to pinch, isn't it? The long arm of society is going to trim a little off the hors d'oeuvres bill around here." He waved his hand
at the bar.
"Why do you assume that I object to that?"
"You don't?" Bertram Scudder asked without curiosity.
"I don't!" said Philip hotly. "I have always placed the public good above any personal consideration. I have contributed my time and money to Friends of Global Progress in their crusade for the Equalization of Opportunity Bill. I think it is perfectly unfair that one man should get all the breaks and leave none to others."
Bertram Scudder considered him speculatively, but without particular interest. "Well, that's quite unusually nice of you," he said.
"Some people do take moral issues seriously, Mr. Scudder," said Philip, with a gentle stress of pride in his voice.
"What's he talking about, Philip?" asked Betty Pope. "We don't know anybody who owns more than one business, do we?"
"Oh, pipe down!" said Bertram Scudder, his voice bored.
"I don't see why there's so much fuss about that Equalization of Opportunity Bill," said Betty Pope aggressively, in the tone of an expert on economics. "I don't see why businessmen object to it. It's to their own advantage. If everybody else is poor, they won't have any market for their goods. But if they stop being selfish and share the goods they've hoarded - they'll have a chance to work hard and produce some more."
"I do not see why industrialists should be considered at all," said Scudder. "When the masses are destitute and yet there are goods available, it's idiotic to expect people to be stopped by some scrap of paper called a property deed. Property rights are a superstition. One holds property only by the courtesy of those who do not seize it. The people can seize it at any moment. If they can, why shouldn't they?"
"They should," said Claude Slagenhop. "They need it. Need is the only consideration. If people are in need, we've got to seize things first and talk about it afterwards."
Claude Slagenhop had approached and managed to squeeze himself between Philip and Scudder, shoving Scudder aside imperceptibly.
Slagenhop was not tall or heavy, but he had a square, compact bulk, and a broken nose. He was the president of Friends of Global Progress.
"Hunger won't wait," said Claude Slagenhop. "Ideas are just hot air.
An empty belly is a solid fact. I've said in all my speeches that it's not necessary to talk too much. Society is suffering for lack of business opportunities at the moment, so we've got the right to seize such
